$25 GC Giveaway – Dying For Monet by Claudia Riess @goddessfish @ClaudiaRiess

DYING FOR MONET Claudia Riess

GENRE:  Mystery

BLURB:

Dying for Monet, book 5 of Riess’s art history mystery series, opens on a gala evening auction at Laszlo’s, an upstart auction house in New York City. After a much sought-after Impressionist still life painting is without notice withdrawn from the auction block, its broker is found dead at the foot of an imposing statue in Laszlo’s courtyard. Amateur sleuths Erika Shawn and Harrison Wheatley are once again drawn into an investigation involving an art-related homicide, this time with one sharing an unnerving coincidence with violent crimes occurring abroad.

EXCERPT

Greenwich, Connecticut  January 5, 1927

It was time. The mavericks, all thirty of them represented at the first Impressionist Exhibition in Paris, 1874, had passed away. Not that a clean sweep was essential to the plan, but there was a sense of closure about it, as useless yet gratifying as an account ledger balanced to the penny.

The framed canvases were propped up against the far wall of the living room like hostages awaiting their release. The overstuffed couch with its mesmerizing pattern of exotic birds had been moved into the dining room to clear the wall space for them. The drapes were drawn and the room was bathed in artificial light, yet the paintings seemed to be standing out in the open, beneath the sky. It was the sheer vibrancy of color that created the illusion, Elizabeth Barden thought, as she surveyed the display, guilt creeping into her enjoyment of it. Though there’d been no law against it, it had been criminal to have kept these luminous visions in the dark all these years. If only she hadn’t been bound by a promise!

She remembered her parents sitting her down at the kitchen table in this very home, thirty-three years ago it was, the two of them planting themselves opposite her, looking more grimly serious than she’d ever seen them. She was fourteen years old at the time and not yet settled on what to make of herself, looks and intelligence ratings still torturously pending. She imagined she was about to hear that she’d been adopted or had three months to live. What they told her was less dire, but required a more sustained focus to take in. The paintings would be her legacy, they said, but in order for this to be the case, she must follow their instructions down to the letter. She had to clasp their hands in hers—as good as swearing on the bible—and promise to do so. The mood lightened only once during the interview, and that was when she’d pronounced the artist’s name as if it rhymed with “bonnet.” “Monet,” her mother had corrected, grinning. “Mow the grass. Neigh says the horse.”

The memory did not draw a smile. How could it, when these prisoners stood before her in dutiful formation? How brilliantly they’d persevered without a trace of reproach marring their freshness! And wasn’t it curious, how her gaze seemed to be drawn—and return when it wandered elsewhere— to the still life of a Wedgewood vase teeming with flowers—gladioli, lilies, wildflowers; a riot of color she would hardly call “still.” Not her favorite genre, still life, but she’d felt the same sort of instant affinity to this painting as she’d had with her lover, Jacob, not at all her type, but upon an exchanged look, bound to him body and soul. And of course, in a manner of speaking he, too, like the painting, had been hidden for far too long from the embrace of natural light. She must free him, too, from the dark. She had been intending for a year—what was she thinking, more than a year—to tell her most dear but tiresome husband of her affair and the necessity for a divorce. The imminence of the afternoon’s scheduled eve

nt strengthened her resolve. She would end the secrecy tonight.

Hard to believe that barely one hour from now, unless God or chance intervened, the transaction would be under way. The wealthy young art collector, Lewis Keller, along with the gallery owner who had used his networking skills to nose him out and was serving as broker in the deal, would soon be rapping at the door of the sprawling old ranch-house where Elizabeth had lived all her life, half of it with her husband, Wallace. The gallery owner’s entourage of packers and transporters would be on hand as well. The collector, a bit wet behind the ears, she’d discovered when he’d first come to look over the paintings, had seemed to rely more on the gallery owner’s aesthetic judgment than on his own. Like a pet owner forced by circumstances to give up her precious charge, she hoped that the man to whom she was relinquishing the paintings would treat them with the care they deserved.

Before withdrawing to her room to freshen up, Elizabeth stepped into the kitchen to see how her husband was coming along with the needless crudité platter he was arranging for their guests.

“Ah, Wally,” she said rather sadly, thinking of what was ahead for the poor man tonight, “an unaccompanied champagne toast would have been quite sufficient.”

“I know, Liz, I know,” Wallace said, putting down the knife with which he had been slicing carrots into sticks. “But you must admit, a little gesture of thoughtfulness goes a long away.” He tapped his apron-bibbed chest for emphasis.

“You’re right, dear,” Elizabeth agreed, gritting her teeth at his habit of speaking in aphorisms. The knife was lying on the counter unattended, and she imagined, for an instant as fleeting and pleasant as a sunny landscape striking an Impressionist’s eye, of stabbing him with it.

AUTHOR Bio and Links

Claudia Riess has worked in the editorial departments of The New Yorker and Holt, Rinehart and Winston, and has edited several art history monographs. Stolen Light, the first book in her art history mystery series, was chosen by Vassar’s Latin American history professor for distribution to the college’s people-to-people trips to Cuba.  To Kingdom Come, the fourth, will be added to the syllabus of a survey course on West and Central African Art at a prominent Midwestern university.  Claudia has written a number of articles for Mystery Readers Journal, Women’s National Book Association, the Sisters in Crime Bloodletter, and Mystery Scene magazine.  To read more about Claudia and her work, visit the author’s website.

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Giveaway – To Kingdom Come by Claudia Riess @GoddessFish

To Kingdom Come by Claudia Riess

GENRE: Mystery

BLURB

Amateur sleuths, Erika Shawn-Wheatley, art magazine editor, and Harrison Wheatley, art history professor, attend a Zoom meeting of individuals from around the globe whose common goal is to expedite the return of African art looted during the colonial era.  Olivia Chatham, a math instructor at London University, has just begun speaking about her recent find, a journal penned by her great-granduncle, Andrew Barrett, active member of the Royal Army Medical Service during England’s 1897 “punitive expedition” launched against the Kingdom of Benin. 

Olivia is about to disclose what she hopes the sleuthing duo will bring to light, when the proceedings are disrupted by an unusual movement in one of the squares on the grid.  Frozen disbelief erupts into a frenzy of calls for help as the group, including the victim, watch in horror the enactment of a murder videotaped in real time.

It will not be the only murder or act of brutality Erika and Harrison encounter in their two-pronged effort to hunt down the source of violence and unearth a cache of African treasures alluded to in Barrett’s journal.

Much of the action takes place in London, scene of the crimes and quest for redemption.

EXCERPT

He wondered now why had it taken such an effort to decide which of his plans to set in motion. Walking off with an artifact or two from Franks House, the British Museum’s storage facility in East London, may have given him his political statement, but at what cost? The place was crawling with workers in lab coats and masks—conservators, project managers, photographers, interns, auditors, volunteers—the lot of them engaged in the end goal of moving 200,000 objects from the museum’s collection of Africa, Oceania, and the Americans to its nearly spanking new World Conservation and Exhibition Centre. True, it would not have been an insurmountable task, entering the quiet road where the quaint redbrick warehouse lay and unobtrusively blending into the workforce, but then what? Would he have been forced to shoot his way out of the place at the risk of being gunned down himself? How sordid and at the same time mundane to mow down an uncalculated number of individuals, only to find himself a mere casualty sprawled among them. Hell no, he was neither a loony terrorist nor a crack- head martyr. The plan in place was the more sensible course, no question about it.

It was restful, hearing below his thoughts the rhythmic phrase of train wheels clacking against the tracks in lulling repetition. His calmness surprised him a little, given what lay ahead. His scenario had been well choreographed, but only on an imagined stage with players moving about under his ironclad direction. In real life, even the most meticulous plan is apt to be disrupted by unforeseen circumstances. He knew that it was exactly 1.6 miles from Effingham Junction Station to the mansion on Ockham Lane in Cobham, Surrey, but was he certain that he would not be accosted by a madman or struck by lightning on his walk to the place?

If he allowed his thoughts to ramble on in this manner, his nerves would start acting up. He must lean into the physical moment and move with it into his destiny. He looked out the window past his reflection and focused on the indifferent stars.

AUTHOR Bio and Links

An award-winning author of seven novels, Claudia Riess graduated from Vassar and resides in Manhattan and Westhampton Beach. Her most recent novel is the fourth book in her art history mystery series. “To Kingdom Come” will be released in Spring 2022 by Level Best Books.
Last year, Riess signed a second three-book contract with Level Best Books to continue the series that began with “Stolen Light.” The plot involved murder, the Italian Renaissance, and the Cuban Revolution—as well as a love story. The book was chosen by the Vassar travel program coordinator and the Vassar Latin American professor for distribution to the participants in their 2017 “people-to-people” trips to Cuba.
The latest suspense novel set in the art world, sleuths Erika Shawn, art magazine editor, and Harrison Wheatley, art history professor. Now married, the couple is caught up in a multiple-murder case involving the repatriation of African art and artifacts seized by the British in the late nineteenth century during the colonial era. Much of the action takes place in London, scene of the crimes and quest for redemption.
“Riess uses words as an artist uses a paint brush; the pages come to life.” –Joseph Epstein, Ph.D

“Mystery. Passion. Crime. What more could a book-lover want!”
–Elizabeth Cooke, author of the Hotel Marcel Series

An engaging speaker, Riess has recently given several author talks via Zoom for libraries* and is scheduled for future Zoom and podcast events at more venues. Subjects include “Anatomy of a Murder Mystery,” “Dangerous Liaison: Fiction and History,” and “The Joys and Perils of Creating a Mystery Series.” Her talks are of interest to both authors and readers.
*“Thank you for a fun evening. It was very interesting to hear about the process of writing.”

–Jocelyn Ozolins, Head of Reference, Shelter Island Library

Claudia Riess has worked in the editorial departments of The New Yorker magazine and Holt Rinehart and Winston. She has also edited several art history monographs. For more about Riess and her work, visit www.claudiariessbooks.com.
All four books in the art history mystery series are available through Amazon.com, BarnesandNoble.com,IndieBound.org and at independent book stores. For bulk discount purchases, contact https://levelbestbooks.wordpress.com.

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  • Look on the right sidebar and let’ talk.
  • Leave your link in the comments and I will drop by to see what’s shakin’.
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  • Thanks for visiting fundinmental!