Friday 56 #61 & BB #37 – Flesh and Bone by Jefferson Bass

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The Friday 56 is hosted by Freda’s Voice.The only rules are to grab a book (any book), turn to page 56 or 56% in your ereader and find any sentence or a few ( no spoilers) that grabs you and post it.

Please join Rose City Reader every Friday to share the first sentence or so of the book you are reading along with you initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

Please include the title of the book and the author’s name.

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I love the cover for Flesh and Bone by Jefferson Bass. I would pick up this book just by looking at it.

If you are a fan of Kathy Reichs, you will want to check out Jefferson Bass.

1928537

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MY FRIDAY 56

“The bad new is, babies’ heads are getting bigger and bigger,” I said.

“Ouch, man,” the same voice said. “C-section here I come.”

(56 in paperback)

MY BOOK BEGINNINGS

The chain link gate yowled like an angry tomcat in the watery light of dawn. Once my jaw unclenched, I made a mental note to bring grease for the hinges next time I came out to the Body Farm. Don’t forget, I chided myself, just as I had each of the past half dozen times I’d mentally made and mislaid that same damn note.

GOODREADS BLURB

Anthropologist Dr. Bill Brockton founded Tennessee’s world-famous Body Farm—a small piece of land where corpses are left to decay in order to gain important forensic information. Now, in the wake of a shocking crime in nearby Chattanooga, he’s called upon by Jess Carter—the rising star of the state’s medical examiners—to help her unravel a murderous puzzle. But after re-creating the death scene at the Body Farm, Brockton discovers his career, reputation, and life are in dire jeopardy when a second, unexplained corpse appears in the grisly setting.

Accused of a horrific crime—transformed overnight from a respected professor to a hated and feared pariah—Bill Brockton will need every ounce of his formidable forensic skills to escape the ingeniously woven net that’s tightening around him . . . and to prove the seemingly impossible: his own innocence.

What does the cover say to you?

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