I am excited to have Laury A Egan here today, sharing her thoughts about whatever she wants.

Thank you very much for featuring The Black Leopard’s Kiss & The Writer Remembers! Here are my interview questions:

1. What was the inspiration for writing this very unusual work?

To be honest, I haven’t a clue! The best I can say is that the beginning of the first novella (there are two, both linked, with the same main character) was strongly influenced by Virginia Woolf’s Mrs. Dalloway, in that it starts in a slow, introspective manner. After that, the plot picks up speed and begins a series of twists and turns, employing an Orlando-esque quality and magical realism. One of my main interests was telling a story about an older woman who is dealing with some physical infirmities and looking back on her life and investigating its mysteries.

2. Can you explain what you mean by magical realism and how did you use it?

This work is about an author, Sidonie Ross, who is depicted at age 64, 70, and at earlier ages as she tries to uncover memories and to look at her life as a narrative. In the book, I’ve intertwined the real, the half-remembered, and the forgotten and blended them together using a magical style. This is a difficult book to describe or categorize, but the reader is in for a dizzying ride.

3. How does this work compare to the other thirteen novels and story collection you’ve written and published?

Fog and Other Stories contained early short fiction and allowed me to experiment and try different styles, create a wide range of characters, and find the genres in which I was comfortable. Unfortunately—or fortunately—I discovered that my tastes were eclectic, from psychological suspense to coming-of-age to comedy to literary, as in this book. Of all of my writing, The Black Leopard’s Kiss & The Writer Remembers is my most creative and unusual. I’m really pleased to have this one published!

4. The author in this book writes from a room within her home. Do you?

Yes. Although my office is in the same quadrant of my house as Sidonie’s office, her house is based on my childhood home, which is only a few miles from my present residence. In both cases, there were woods visible through the right window, and the ocean was on the far side of the building (better to avoid distractions). I work every day, almost all day.

5. Do you have other obligations? Family or career?

Other than a prolific number of doctor’s appointments? As for job demands, I’ve retired from my career as a book designer (Princeton University Press and 20 other publishers) and as a freelance live opera/theater photographer, but I still hold fine arts photography critiques every two months. When my publishers allow, I create photographic illustrations and do the typography for covers, such as I did for this book. My life’s philosophy—which might also be that of Sidonie Ross—is best summed up by a line from Andrew Carnegie: “My heart is in my work.” Since I attended Carnegie Mellon University, I took this sentiment very seriously from an early age. My mother, who was a brilliant artist, did, too, and my father, who was a building contractor, was imaginative in his fashion. I have no family still alive, except for a few far-flung cousins, so my life is mostly free of distractions.

6. Since The Black Leopard’s Kiss & The Writer Remembers features time regressions, what period of your life would you like to revisit?

My early forties. I had just begun my freelance design and photography business, had fallen in love with opera and was attending the Met Opera regularly, with some magical evenings spent photographing live opera productions such as Philip Glass’ premiere of The Voyage at the Met. I was meeting so many fascinating people and, at the same time, was starting my first novel, which I’ve recently unearthed and am attempting to revise (a very heavy lift). Everything was exciting; doors were opening into new worlds I had only previously glimpsed. And, yes, there was a romance!

Thank you so much for visiting and sharing your thoughts, Laury. Good luck with the tour.